‘The First Omen’ Review: A Decently Executed Prequel Pales Next To Superior ‘Immaculate’

Unraveling the Dark Origins: Review of “The First Omen”

In the eerie world of horror cinema, few tales evoke as much terror and fascination as “The Omen.” The 1976 classic left audiences trembling with its chilling depiction of Damien, the Antichrist destined to bring about the end of days. Now, director Akasha Stevenson plunges into the depths of darkness with “The First Omen,” a prequel that peels back the layers of mystery surrounding Damien’s birth, unveiling a twisted narrative that is both unsettling and profane.

Setting the Stage:

In the original “Omen” film, audiences were introduced to the infant Damien, born at the ominous hour of 6 a.m. on the sixth day of the sixth month. Raised by an American diplomat and his wife, Damien’s origins remained shrouded in secrecy, with only hints of his sinister lineage revealed. Now, “The First Omen” delves into the past, transporting viewers back to 1971 to explore the events leading up to Damien’s conception.

Crafting a Sinister Tale:

Director Stevenson and co-writers Tim Smith and Keith Thomas weave a tale of terror that is both familiar and unsettlingly fresh. Drawing on the rich mythology of the original trilogy, the film cleverly embeds references and foreshadowing that nod to the horrors yet to come. From ominous prophecies to chilling encounters with demonic forces, “The First Omen” keeps audiences on the edge of their seats as the darkness slowly unfolds.

Exploring Female Perspectives:

In a nod to classics like “Rosemary’s Baby” and “The Exorcist,” “The First Omen” focuses on the female perspective, delving into the darkest depths of pregnancy anxieties and maternal fears. Sister Margaret, portrayed with depth and nuance by Nell Tiger Free, serves as the film’s unlikely hero, navigating a world of deceit and corruption within the Catholic Church. As she uncovers the sinister machinations surrounding Damien’s birth, Sister Margaret grapples with her own faith and morality, confronting the true nature of evil.

A Convergence of Horror and Sacrilege:

Stevenson masterfully blends elements of psychological horror and religious imagery, creating a film that is as thought-provoking as it is spine-chilling. From the haunting halls of the Vizzardeli Orphanage to the shocking revelations that lurk within, every scene is infused with an unsettling sense of dread. With graphic imagery and visceral intensity, the film pushes the boundaries of horror, delivering moments that are sure to linger in the minds of audiences long after the credits roll.

A Tale of Faith and Deception:

At its core, “The First Omen” is a tale of faith and deception, exploring the corrupting influence of power and the lengths to which individuals will go to protect their own interests. As Sister Margaret confronts the true nature of the orphanage’s dark secrets, she must grapple with her own beliefs and confront the horrors that lie within. With its thought-provoking themes and shocking twists, the film challenges audiences to question the nature of evil and the true extent of human depravity.

In “The First Omen,” director Akasha Stevenson delivers a twisted and unnerving prequel that is both a homage to the original trilogy and a bold new exploration of the “Omen” mythology. With its atmospheric setting, compelling characters, and spine-tingling scares, the film offers a fresh perspective on a classic tale of terror. As audiences brace themselves for the inevitable arrival of Damien, they are left to ponder the true nature of darkness and the enduring power of fear.